Billio’s practice is at once an emptying of meaning and a renewal of the proscribed object. By de-familiarizing the everyday object, Billio reinterprets the material and social valence of the object in space. He forces the audience to confront the fragility of material determinism and the utilitarian dictates of the familiar commodity.

Mismatched chairs are gathered from households for re-creation of the moment of a family function. Initiated by the audience, the movement of these objects creates the sounds of a family shuffling their chairs into position at the table.

The mirrored floor captures the physical reflections of the audience and the chairs, imbued with personal nostalgia, thus becoming the medium that retains and reflects private experience and memory.