Powerful sculptural installations tell their own stories of Deaf identity and how those whose identities are not accommodated are not in place. Sculptures featured include Oh, How He Danced, a memorial to 28 Deaf children who died in darkness amidst a fire in a Russian school, and Tree House, a tribute to the Deaf Tree Twins who seeded the famous Redwood Park in BC. Killick is based on the stone weight used as an anchor in Newfoundland fishing boats, cast by the artist as a bronze relief with an ear. The sculpture is a metaphor for her need to feel anchored to language and for the futility of using sound to do so. Earmold and Soapstone, larger than life sculptures, each provide a medium for transformation of the ear as a source of negativity in the artists’ life into a reshaped identity as a person whose needs have not been met by the culture around her.